Reed wind instruments of Iranian music that is produced from reed plants.

The simplest and Tbyytryn reed wind instruments is associated with the land available to grow and brief human occupation is used. United Qdymh the example given straw and various wind instruments made it and work in peace and war were.

Old music books and Tbyytryn Mvlfyn perfect musical believes the human throat. And then wind instruments (machines Zvat Alnfh), especially the reed pipe and the throat similar to humans are created Nghmat.
Ney due to simplicity and ease of implementation and sounds easy to transport and found in nature is only making it available everywhere and with everyone possible and brief occupation of Mygrfth used. Extent of the sound pipe is about two and a half note. Vice Asadollah Isfahani (known as the Lord reed) instrument, the court kings fold range in Iran between Iranian types of wind instruments used were old, like, Mzmar, soft trachea, Draznay, Serena and ... Only today been able to pipe Iranian music and the other Iranian classical instruments such as Tar, Santur, Setar and fiddle, and so should be a role of trunk pipe in Iranian orchestra to play. Because of this view can be two to review.

First of musicians to the instrument characteristics and features that could pipe the way to full and good field and the ability to show it. In other words, people playing with the drill pipe turned very technical and states usually runs in Iranian music transferred to the straw. The second reason for the instrument to form the same Sdadhy and simplicity, it being longer than any other wind instruments in Iran, could all music tracks and ringtones as well as Iranian row machine runs Vaynkh the sound is out of the straw in terms of good sound quality with other Iranian classical instruments was combined.

According to the old pipe is made of various patterns, ie, in terms of length, number of holes and number of vertebrate, variety, straw there. In other words, sometimes long-or short straw is made and some kinds of straw with a hole 6 or 7 and sometimes do is hole 9. Among the types of straw, reed seven of today is most commonly used in wind instrument. Seven of straw with 6 nodes, 6 and 7 of the hole is the 5th hole in front of the instrument and the instrument is also back. Explain while the sixth hole because the pipe is located behind the thumb that allow it to easy to harness. The size of this instrument in terms of different forms, the patterns over the discovery by the musicians, can be built.


Playing style lip number 13 is the number patterns that the highest model Cook DO start and a straw to Octave Chromatic intervals after the small straw DO Cook is the shortest straw, is made. However, this does not mean that a longer or shorter straw distances above Ntvan construction.

Diversity due to the lack of longitudinal pipe tune is the same for the different size pipe make the vacuum is removed. In fact, short and long reedy relax and tighten wire strings and plectrum instruments, ie, no matter how straw is longer, producing more bass and whatever is shorter sound Zyrtry provides.

Reed to produce sound from two species are different. First case the so-called Form "lip" is called the player this way, the straw would like to put on your lips with a belt by the air and lip aperture between the blades clash over the reed belt, the sound is produced. Width of each blade Srny this case has much less thickness, the sound produced from straw, will Shfaftr.

This style of playing more of Aqaba and between nomads and Shepherd and has introduced the so-called local Game. That sound usually by class musicians from the straw is produced, is relatively sound louder than normal and with impurities. Classical music device and also in our classical Iranian orchestras Sdadhy this method, not very common and not.


Playing style dental latter form the so-called "dental" Name the blade head that this method instead of reed stand on the lip, the two musicians is being incisive. Slab air in this case, instead of between Dvlb aperture, the distance between the palate and produces language. This method goes back to the first method and probably less in Isfahan, reed hospitality and promote the dental been developed. Because the more History shows, the first player to light and straw have been like in Isfahan dental Solomon Esfahani, Ebrahim Qabashy, Vice Asadollah Esfahani, and Professor Hassan Kassai that this kind of playing to its peak of development (until today) have given .

Playing with each of the two methods and the disadvantages of each has its own advantages. Although dental practices common method among professional musicians is a pipe. But this should not be negative because of the advantages of playing style in labial know

Professors reed


Professor Hossein (Design and straw significant key) Astadhsn Kisai, Hassan Nahid, Mohammad Mousavi, Jamshid Andalib, Mohammad Ali Kiani Nejad Hdadyan, Hossein Yavari, Bdalnqy Afsharnia hear the story because straw is the separation of complaints to Game (Molana Jalal Din Mohammad Balkhi) reed hospitality a way to express feelings are the Spiritual ringtones. reed instruments restricted the mystical and ancient land which is today the form of various solo and group playing the heavily used However today simply Zaty any instruments and the main stem would be in an orchestra.


A player feel - the pain - the grief and joy can affect the well pipe making among the world I belong to is not material and the musicians making straw straw is well know that the same can easily to the heart of the to link them with sorrow and joy and love Dramyzd Sufism. Reed making the hall when small countries of East and West is played every person and personality can influence although in Sufism and brought Zaty. Ney best choice is expressed Spiritual Masnavi Rumi.

Reed wind instrument of the oldest in the different type is used. Of the common wind instrument can be

Horn (horn Khorasani and Fars) - Serena (short, medium and long) - Ney scrip - Shmshal Balaban, and name of the family, all of which would have straw.


But a kind of reed that this species is perfect and traditional Iranian music and recorded it and written notes of the Iranian Ney introduced as straw and recorded seven of which are sensation of power and extent sound in all wind instrument is unique congener.


Iranian music when nominally taken to be the straw to the straw is of seven.

Difficulty learning the sound of reed reed hospitality critical to achieve a desired sound is smooth and requires years of repeated practice.

Straw, which is a 6 hole 5 Tai front and one behind it is straw.

As we know the music or sound seven notes, which have included (two - R - to - Fa - Sol - La - Si) that depending on the extent of different instrument sound seven notes are repeated and each other along the Available.

Can be a reed instrument that simple or a complex instrument. Of building a simple structure with complexity is certain. Ney general, is a type of voice 6 musicians from three of the very famous voice use.

6 Type the two groups sound and bass are in place:

Base include: Bam (Hive) - Bam software (like clarinet or clarinet) - and Bam combination (combination of Bam and the same peak shape is used in folk music)

Treble include: peak - Ghys - after Ghys (below)


That sounds Bam (Hive) - Ghys peak and frequency of use will be.

Bam combination usually is not used in traditional music, but Jazz solo works (not the Hospitality Group) as the voice of Mohammad Mousavi has used.


Reed sound over an area two and a half note equal to (19 notes) that if you want to run to the peal of Bam Drsday note two soft start and the sound of tuberculosis following notes (or the same after Ghys) ends.


Bass (or the Bam reticulate) also notes "two" and started "La" will end. But professional musicians can note the same hole La CD also to produce sound.


Ney able to produce all the curtains - curtains and a half quarters are curtains.

Already reed special note was not written and faculty through the reed books and scores violin maker art training seekers that the (still used) in this case, the package notes Ney "R" is. But recently reed separate note that the package written note "two" is assumed, and we before we go to the same procedure.


1 - bass reed: the start of the Pacific (the package) and the Pacific end of La (the open).

2 - voice peak straw: Exactly equivalent base with a different note (eighth right) with the base difference.

3 - voice Ghys: the Pacific "TB" Start (the package) and the Pacific "to" (the open) ends.


La tuberculosis and scores on the peak and Ghys voice that can run both the written and rely on these notes provides.

4 - Voice of Ghys (Voice fifth or below): from two notes (the package) to start and will continue to tuberculosis.

Usually possible vocal performance of the open form Ghys there and even the short straw musicians able to carry the voice of the Pacific TB Ghys the Vaz are not. Two scores - R - Ghys Vmy the voice and the musicians are Ghys one voice only if they go after Ghys they note that "Fa" (or MS TB) to run. Non-professional musicians usually performed when the risk to the do not sound so Ghys and equivalent peak sound use.


Ghys sound exactly the sound of a note is the peak Zyrtr.


Hospitality group, the player must different tuning (different sizes) of reed instrument is provided in order to group conditions, to select the proper pipe.

The Chromatic step we reed to have 13 different tuning, including straw (straw, respectively, from long to short):

Two - Two Days - R - are Bml - All - Fa - Fa Days - Tuberculosis - TB Days - La - Si Bml - thirty - two (short)

Top of straw straw "TB" is exactly equivalent to tuning fork and straw when we say that the package notes "two" can we mean is the diapason pipe. However, the package, for example a voice Cook La Ney "R" shows and so on ...

Reed exactly one eighth of two long two short straw is more of Bam. The peak noise in the short straw in the straw after two long Ghys is exactly one.

For example, when we say that Ney "R" Cook is the form that this concept can reed scores "R" Cook all the runs. For example, note "R" in the pipe two equivalent Cook notes "two" in the straw " R "is Cook. note" R "in the straw" Fa "Cook notes equivalent to" Fa "Ney" R "Cook and so ... Is.

With each pipe it may be a device to run the 13 position. But it is very difficult and usually a device with a straw two or three position to run.

For example, you can mound with two skilled Fa Sol Cook straw easily performed. Mound for the implementation of "R" of straw La Cook use.

Reed cell can be performed TB Cook mound but it is easier with a straw La Cook.

Do not continue the discussion in a later article Anshalah form specialized topic explains.


Reed playing a variety of styles and schools that together have a major difference. The school can be different schools of Isfahan, Tehran and Tabriz would name.

Reed hospitality from generation ago can name the vice Asadollah range Shagrdsh Mehdi and conformance.

All evening the playing of reed can Hassan Kassai professor would name the special assistance to Iranian music. Kisai professor actually straw to power was a new letter was to say that now that the most advanced Etude for violin or heaviest of writing and singing and making straw runs fine in and day power lies in this instrument to be prosperous and far to be that straw Jryt feature implemented in every song that has the mind to imagine what humanity In solo - two or three hospitality or large groups such as hospitality or Exeter Symphony Orchestra.

All of the professors and musicians can be Hassan Nahid - Mohammad Ali Kiani Nejad - Mohammad Mousavi - Jamshid Andalib - Bdlnqy Afsharnia - Behzad Forouhar and ... Name range.

Books and numerous effects on learning techniques and secrets are available reed hospitality, including:


1 - Education Nay - Vol Bdalnqy written Afsharnia

2 - Education Nay - Volume II (Foundation tier) By Bdlnqy Afsharnia

3 - Classical Editor Bdalnqy Afsharnia Abol-Hassan Saba

4 - way reed hospitality By Mohammad Ali Kiani Nejad

5 - Classical Vocal Special Davami reed hospitality development Abdullah Mohammad Ali Kiani Nejad

6 - Hassan Kiani cry of desert race


Other effects of straw can be useful for learning the name of the works of range:

1 - Classical Vocal Mahmoud Karimi

2 - Basic command of the violin Ullah creator spirit (four volumes)

3 - 18 pieces before income

4 - Book 3 Violin row Abolhassan Saba

5 - set color Pyshdramd parts for violin professor Paivar


Is the song left to play violin Cook book should be a curtain Bam can transfer notes.


Of books and audio tapes released solo professors Mousavi, Andalib Kisai and are very very helpful.


To listen or download Mousavi Ney Professor Click here

 

Name Professor Kisai with straw so that concerns Amryst imagine one without the other impossible. Reed instruments, including the position on Iranian music and descent Prfraz Sassanid kings court to be companion had with pastors, but their main feature never failed to show that such instruments could such recurrence, Tar, Santur and various instruments Arshe and pick a relatively fixed position between the musicians and people to find.

Likely to simply cause the emergence of manufacturing non-standard patterns, and ultimately reduced the technical level could be the straw was the main factor of stability in the main position Ney said. Although described for the expansion features a technical instrument, it is the first structure, the model is accurate and expertise, is designed to play with maximum performance capability, is possible; based on the information recording the first page Index is available on the techniques of playing instruments such as tar, violin, fiddle to a higher level than is straw. Only the last straw Zbty been singing solo and the answer is vice Asadollah Esfahani The first person narrative style of the reed "tooth" is played (though against this is undeniable.) In any case be This review page with some recordings, playing up the straw at the time recognition.

Master Kassai not directly, to use the vice neighborly, but very short period with one of his disciples to Mehdi conformance, conformance to learn all of savings, this direction because of the abundant talent Kassai and other direction, that limitations and simply playing reed technique is the time. Thus, like Hassan Kassai Tombak Tehran, Ebadi cittern, fiddle and Paivar in spring in a kind of dulcimer start to invent techniques and take down all devices in the reed instrument can.



Reed sound in the past, with high gross was playing the pipe as the difference between sounds noticeably peak, Bam Bam was not soft, but the professor could change Kisai state language, the settlement language, mode lips and head form Ney, sound very clear and without impurities to produce the straw. Caused the development, reed master, the radio way to find; Tknvazyha and cooperation with famous musicians and singers at the time because Jalil Shahnaz Ali Tajvidi, Ahmad Ebadi, Taj Esfahani, Adib Khansari and ... Caused, to be exposed to other reed instruments simulated.

After this period orchestras often start with a reed instrument to use and the need of increasing the growth of reed musicians even today as a field to be taught at the University. Can be said, all the musicians today Ney, Ney Professor Kisai Listening to the sound the instrument were interested.

Hassan Kassai said on Persian date 20 Mehr, 1307 to a family vocation was born businessman. His father, Seyyed Javad Kisai to the merchants of Isfahan at the time due to interest and Annecy was the music, then the professors will travel to; Bzrgany as Seyyed Hossein Taherzadeh, Jalal Taj Esfahani Zadeh, Akbar Khan, Nowruz, family Shahnaz ( Shaban Khan, Hussein Agha, Ali Agha and Jalil Shahnaz), Gholam Sarange, Adib Khansari. Mr. Seyed Javad home so that, for the reunion of the Phoenix instrument and singing and music teachers to Isfahan. This will cause traffic Hassan Kassai be familiar with music from childhood and over time, their keen interest in music, especially "reed instrument (after seeing an itinerant musician) was its father, with his take Mehdi Melody . the death of Mehdi conformance Kisai still Esfahani companion to the musicians playing reed used to dominate; especially "from Jalil Shahnaz Hmnvazy with the right kind of skill has benefited his neck. Instruments such as curtains do Hmnvazy Tar Setar him more and more familiar with Iranian music in different steps, as the first devices Chahargah, Isfahan, Nova and with Rast-Panjgah Cook performed accurately and completely. Kisai the presence of Abolhassan Saba continued to use it can be said that the art of playing sitar Kassai, memorabilia familiarity with the artist is unique. Kassai fusion sitar playing beautiful combination of playing Tar and Setar Jalil Shahnaz is Abolhassan Saba.



Hassan Kassai Mktbdar years in Isfahan, Isfahan music fields Ney, Setar and singing is. Students many lessons have his presence today among the prominent figures of music are considered; Hossein, Hassan Nahid, Mohammad Mousavi, Behzad Forouhar and Shahram Nematollah praised the Myrjlaly have this. While most Christmas books Hassan Kassai is the pre-music, but today many parts of multiplicative and even musicians Vazyhay straw, used by the musician he is

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